What lies at the basis of the general scheme of perception we have of another person? In other words, what most strikes us in the eye when meeting with another person? Obviously, the three main features of its appearance (except, of course, clothes) - gender, age and body type.

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Then, in our view fall over small details - the configuration of the head, body posture, gait, gestures, forms of hands and fingers. Thus, the scheme of human perception is based on the principle of learning from general to specific, from a "large" to a "petty", from the whole to his constituents.

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One need not be too careful an observer to observe the face, posture, gait, and generally in all human appearance traces of past years. Years of change all parts of the body, but these changes are more noticeable on the face. Tissue, its component changes over time and shape and size, and density, and color. We consider this process in detail.
1) As a child, short and wide face, the forehead is issued, the cheeks do not have any wrinkles. Skin is soft, taut and pink and round shape give this age form a cheerful and gracious.

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2) growing up a person, a person is exposed to various modifications. In boys starts increased growth of facial bones: nose lengthens, and on the cheeks wrinkles, chin and sides of the cheeks, the hair begins to appear. Before that both sexes had almost the same shape face, now the face of a man much changed, but she still retains a while graceful form of childhood.

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3) The maturity of the facial features appear more and deeper. The ruling passion, experienced feelings left distinct traces: first light and fleeting these prints are becoming deeper, and, finally, remain indelible. At the age of thirty years of facial features, is developed, become less mobile, but more expressive.

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How does each age leaves its imprint, its symptoms and, therefore, well-known personality traits? Disproportionate growth of facial muscle and inform the person or that an expression that can be the dominant person in mimicry. For example, if a person is dominated by emotions and feelings of melancholy character, and his face finally gets a general expression of melancholy. In contrast, under the influence of frequent joyful experience for facial imprint is applied to living and fun. In the same way, according to physiognomist, and all the other qualities of character - the courage and cowardice, humanity and hatred, greed and generosity - are left to face more or less deep and lasting marks. No coincidence that many philosophers of antiquity asserted that in the second half of life, man is responsible for the beauty and expressiveness of his face.